千株松下双峰寺，一盏灯前万里身。
自为心猿不调伏，祖师元是世间人。
赵嘏，字承祐，山阳人。会昌二年，登进士弟。大中间，仕至渭南尉卒，嘏为诗赡美，多兴味，杜牧尝爱其“长笛一声人倚楼”之句，吟叹不已，人因目为赵倚楼。有《渭南集》三卷，编年诗二卷，今合编为二卷。 赵嘏字承祐，山阳人。武宗会昌中登郑言榜进士第。补诗一首。
四祖寺诗词赏析：
《四祖寺》是唐代诗人赵嘏创作的一首诗词。这首诗通过描绘四祖寺的景色，抒发了作者对自身困境的思考和对佛教教义的理解。
诗中描述了四祖寺松树丛生，双峰耸立的景色。这里的"松下双峰寺"一句，既是景物描写，又融入了佛教的思想，暗示着佛教教义的高洁和庄严。
接下来，诗人提到自己身处其中的景色，却只有一盏灯的光亮。这句"一盏灯前万里身"把诗人的身份置于寂静与孤独的环境中，并融入了禅宗思想中的修行与证悟的意味。灯光的微弱与无尽的身影，给人以一种寂寞、迷茫和思考的感觉。
接着，诗人表明了自己内心的无法驾驭和追随的状态，称其心灵为"心猿"。"自为心猿不调伏"这句，表达了诗人对自己内心波动、难以驾驭的困惑和痛苦。同时，也折射出作者对自己修行状态不佳的反思。
最后，诗人提到四祖是实在的存在，指明了佛教的祖师在世间是真实存在的人。这句"祖师元是世间人"既是对佛教教义的肯定，也是对佛教修行者的鼓励和警示。
整首诗以景物的描写和个人的内心状况相结合，通过抒发自己内心的疑问与不安，表达了对佛教教义的追求与思考，体现了唐代佛教文化的主题和特点。
中文译文：
四祖寺
千株松下双峰寺，
一盏灯前万里身。
自为心猿不调伏，
祖师元是世间人。
Poem Translation:
Temple of the Fourth Patriarch
Beneath a thousand pine trees rests the temple,
Before a single lamp, my body stretches for a thousand miles.
Unable to conquer my monkey mind,
The patriarch, fundamentally, is but an ordinary person.
Appreciation:
"Temple of the Fourth Patriarch" is a poem written by Tang Dynasty poet Zhao Gu. This poem depicts the scenery of the temple and expresses the poet's contemplation on his own dilemma and understanding of Buddhism.
The poem describes the temple with its dense pine trees and towering twin peaks. The phrase "Beneath a thousand pine trees rests the temple" not only describes the scenery but also implies the purity and solemnity of Buddhist teachings.
Next, the poet mentions his own presence in this scenery, lit only by a single lamp. The line "Before a single lamp, my body stretches for a thousand miles" places the poet's identity in a silent and lonely environment, incorporating the meaning of practice and enlightenment in Zen Buddhism. The dim light and endless shadows create a sense of loneliness, confusion, and contemplation.
Furthermore, the poet reveals his inability to control and follow his own mind, describing it as a "monkey mind." The line "Unable to conquer my monkey mind" expresses the poet's confusion and pain over the fluctuations and uncontrollable nature of his inner self. At the same time, it reflects the author's reflection on his unsatisfactory state of practice.
Finally, the poet mentions that the Fourth Patriarch is a genuine person in the world, affirming the truth of Buddhist teachings. The line "The patriarch, fundamentally, is but an ordinary person" serves as both an affirmation of Buddhist teachings and encouragement and warning for Buddhist practitioners.
The poem combines the description of the scenery with the poet's inner state, expressing his pursuit and contemplation of Buddhist teachings. It reflects the themes and characteristics of Buddhist culture during the Tang Dynasty.
江左一世称名公，首出刘惔与王-濛。自高直以天自况，何止数仞言高墉。虚声一传实何在，但知景附而风从。我朝诸公门户阔，普纳万象如虚空。群才俱入大鑪鞴，铸人端如金在鎔。又如东君一布令，白者自白红自红。岩岩千载玉局老，少年径以吾道东。首干乐全次六一，二公自是燕许宗
回望湓城远，西风吹荻花。暮潮江势阔，秋雨雁行斜。多醉浑无梦，频愁欲到家。渐惊云树转，数点是晨鸦。
衡岳早来雨，湘江增绿波。小舟浮似屋，香草结为蓑。水定见鱼影，夜清闻櫂歌。悠悠百年梦，醒少醉时多。
杜宇啼时花正开。惨惨风林叫竹鸡，冥冥山路晓光微。尽在疏枝冷蕊中。一枝清峭临荒岸。
前岁嘉兴火，僧居化劫灰。四方持钵去，千里渡江来。心向王城讲，缘从海客回。水天闻唳鹤，不复有尘埃。
阿母瑶池宴穆王，九天仙乐送琼浆。漫矜八骏行如电，归到人间国已亡。
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