Hydrography

Based on this observed expressive potential of the work of art,and adopting the theoretical assumptions and research methodology of formalist aesthetics,this dissertation posits a common stylistic and compositional pattern in masterpieces that embody the expression of grandeur or sublime loftiness within both Chinese and Western art histories.

然而,這樣的一種精神追求是如何呈現在美術作品之中的呢?沿用西方形式派美學的理論和研究方法,本論文試圖探索在中,西方美術史中那些較好地呈現了強盛的“爆發性視覺張力”的造型藝術作品中可能潛在的特有的圖形模式。

Among them, Yan Yuanzhao(嚴元照) who was form Zhejiang in Qian-Jia(乾嘉) Times was very special in the research on YaXue(雅學):Yan suffered from the disordered characters in ErYa(爾雅),so he used ShuoWen JieZi(説文解字) to correct the wrong characters in ErYa(爾雅),or find the original character.

其中,乾嘉時期浙江學者嚴元照的雅學研究頗具特色:嚴氏苦於《爾雅》文字泛濫無定,故以《說文解字》校定《爾雅》文字,寫成《爾雅匡名》一書,後世對此書多有稱道。