满庭芳 赠湖口王先生

山侗谨劝,名利人人。
只知富贵安身。
岂悟吾门一著,出世根因。
虎龙交驰凤阙,更无中、婴姹成亲。
谁信道,并不忏凡俗,夫妇婚姻。
金木三般问隔,用玄机斡运,混合成真。
顿觉男儿怀孕,不神而神。
性命不由天地,自心知、永占长春。
神光灿,跨云归,参礼洞宾。

作品评述

《满庭芳 赠湖口王先生》是元代马钰创作的一首诗词。诗意深邃,表达了作者对世俗名利的警示,以及探讨人生的真谛和超越尘世的追求。

诗词中未提供具体的中文译文,因此我将使用英语进行分析和赏析,以防止输出原文内容。

This poem, "Man Ting Fang, Presented to Mr. Wang of Hukou," written by Ma Yu during the Yuan Dynasty, carries profound meaning. It serves as a warning against the pursuit of worldly fame and wealth, while exploring the essence of life and the quest for transcendence beyond the mundane.

The poem alludes to the prevalence of people being obsessed with material gains and the pursuit of wealth and fame. The author expresses his disapproval of this mindset, highlighting the ignorance of those who solely seek prosperity as a means of finding their place in the world.

The imagery presented in the poem reflects a dynamic scene where the forces of nature and mythical creatures intertwine. The mention of tigers, dragons, and phoenixes symbolizes power, majesty, and auspiciousness. However, the poem emphasizes that even amidst this grand spectacle, there is no room for true understanding or realization of the profound principles of existence.

The poem touches upon the theme of marriage, questioning the sincerity and depth of the relationships between couples. It suggests that the union of husband and wife is often superficial and lacks spiritual significance. The references to gold, wood, and the enigmatic workings of fate convey the idea of blending different elements to create a harmonious and genuine connection.

The poem further delves into the concept of spiritual enlightenment and the realization that one's destiny is not solely determined by external factors. It suggests that one's true nature and purpose in life are discovered through self-reflection and a departure from worldly concerns. The phrase "male pregnancy" metaphorically depicts the idea of spiritual rebirth or transformation.

The concluding lines evoke a sense of divine radiance and ascension, as the author envisions a return to the celestial realm while paying homage to the immortal sage Dongbin. This imagery signifies the ultimate attainment of a higher spiritual realm and the transcendence of earthly matters.

Overall, this poem by Ma Yu encourages readers to reflect on the transient nature of worldly pursuits and the importance of seeking a deeper understanding of existence. It emphasizes the need to transcend material desires and embrace a more profound and spiritual dimension of life.

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锦额重帘深几许。绣履弯弯,未省离朱户。强出娇羞都不语。绛绡频掩酥胸素。黛浅愁红妆淡伫。怨绝情凝,不肯聊回顾。媚脸未匀新泪污。梅英犹带春朝露。

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熊轼朱轓照野明,知君今赴象山行。荣观共作叹嗟语,静念独伤离别情。畏景逼人才数日,修涂计此始三程。至时应在中元后,好寄双鱼慰友生。

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此别难重陈,花飞复恋人。来时梅覆雪,去日柳含春。物候催行客,归途淑气新。剡川今已远,魂梦暗相亲。

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露冕临平楚,寒城带早霜。时同借河内,人是卧淮阳。积水澄天堑,连山入帝乡。因高欲见下,非是爱秋光。

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鸥群鹤侣道人闲,只住青葱竹柏间。欲买小庄先问水,但逢佳客劝登山。深林不放云轻出,野艇常邀月共还。家有怀公颠墨在,临时多染醉毫斑。

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心空及第无阶级,直下忘怀罪性空。一念廓然三际断,千差万别尽圆通。

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小雨夜复密,回风吹早秋。野凉侵闭户,江满带维舟。通籍恨多病,为郎忝薄游。天寒出巫峡,醉别仲宣楼。

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春水沟塍绿渐回,喧阗凫雁作群来。新年风物动人意,薄宦驱驰岂自媒。未解骖龙追渺莽,何妨乘蹇历崔嵬。田间亦有人闲逸,门掩柴荆书未开。

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薤叶有朝露,槿枝无宿花。君今亦如此,促促生有涯。既不逐禅僧,林下学楞伽。又不随道士,山中炼丹砂。百年夜分半,一岁春无多。何不饮美酒,胡然自悲嗟。俗号销愁药,神速无以加。一杯驱世虑,两杯反天和。三杯即酩酊,或笑任狂歌。陶陶复兀兀,吾孰知其他。况在名利途,平生

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一树衰残委泥土,双枝荣耀植天庭。定知玄象今春后,柳宿光中添两星。

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叹此微末迹,见公三十年。贵为天子相,能择大夫贤。东第门阑在,南州陇隧延。立碑思叔子,堕泪岘山前。

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林叶阴浓,海云峰耸,夏景渐分。称画堂开宴,雍雍笑语,高年耆德,初拜君恩。汉相家声,一经传训,赏典今朝归庆门。清和昼,见香飘百和,乐按长春。休论。万事纷纭。算寿考、乡闾能几人。况凤书才降,龟龄正永,莫辞金盏,一醉醺醺。萱草忘忧,榴花含笑,庭院风光如再新。成欢

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又是寒冬矣。也颇思、村醪取暖,市楼买醉。踽踽行来举头见,一队明驼迤逦。爱他有、些儿画意。曲项高峰肉蹄软,想来从、大漠风沙里。一步步,几千里。厖然卧息长街内。又木然、似眠似醒,非悲非喜。偶一摇头铎铃响,声落虚空无际。有谁识、此君心理。万里长城曾见否,问凋零、

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送君直上金銮殿。情知不久须相见。一日甚三秋。愁来不自由。九重天一笑。定是留中了。白发少经过。此时愁奈何。

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丽宇芳林对高阁,新装艳质本倾城。映户凝娇乍不进,出帷含态笑相迎。妖姬脸似花含露,玉树流光照后庭。花开花落不长久,落红满地归寂中。

满庭

文会得吾党,净居清书长。平生爱山僻,暇日聊徜徉。风流谢康乐,肥遯计亦良。钟鼎成淹留,江湖晚相望。山色青未改,山名久愈彰。松风度晚曲,岩花弄晨妆。尚疑缥缈人,髻鬟下鸣当。凄凉怀古恨,野水涵方塘。功名不作难,出处何可忘。人自草木腐,看渠日争光。香消酒力微,缘阴

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笙歌间错华筵启。喜新春新岁。菜传纤手青丝细。和气入、东风里。幡儿胜儿都姑媂。戴得更忔戏。愿新春已后,吉吉利利。百事都如意。

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西湖载客恣游從,湖上参差半佛宫。回顾隙驹曾不息,沉思樽酒可教空。层台累榭皆清旷,万户千门尽郁葱。向此行春无限乐,却惭何道继文翁。

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金章笑鹑衣,玉堂陋茅茨。石火不须臾,白驹隙中驰。丝鬓那可避,会当来如期。竹固不如肉,飞觞莫辞速。匏竹且勿喧,听我歌此曲。土花玩四时,未觉有荣辱。革木要一声,好异乖人情。木公不可待,且复举吾觥。

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连钱出塞蹋沙蓬,岂比当时御史骢。逐北自谙深碛路,连嘶谁念静边功。登山每与青云合,弄影应知碧草同。今日虏平将换妾,不如罗袖舞春风。

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