下水船

总领神仙侣。
齐到青云岐路。
丹禁风微,咫尺谛闻天语。
尽荣遇。
看即如龙变化,一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,端的君恩难负。

作品评述

《下水船》是宋代黄庭坚所作的一首诗词。以下是对该诗词的中文译文、诗意和赏析:

中文译文:
总领神仙侣。
齐到青云岐路。
丹禁风微,
咫尺谛闻天语。
尽荣遇。
看即如龙变化,
一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,
樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,
端的君恩难负。

诗意:
《下水船》描绘了一个神仙们乘船下凡的场景。他们纷纷到达青云岐路,来到人间。在微风中,他们可以近距离听到天人的言语。他们受到了无限的荣耀。他们变幻如龙,一掷灵梭带来风雨。他们真实地游历在人间,前往上苑寻找春天。鲜花盈步,笙歌不绝,樱桃红艳处人们欢聚。他们举起美酒,为尧龄的寿诞祝福,表达对天子恩典的无法回报之情。

赏析:
《下水船》以神仙下凡的场景为主题,描绘了神仙们在人间的欢乐和祝福。诗中使用了丰富的意象和修辞手法,展示了作者对神仙们的崇敬和对天子的感激之情。

诗中的“总领神仙侣”一句,表达了神仙们齐聚一堂的盛况。他们来到人间的“青云岐路”,象征着他们超越尘世的高尚地位。

“丹禁风微,咫尺谛闻天语”描绘了神仙们在微风中近距离听到天人之语的情景,表现了他们与凡间的联系。

“看即如龙变化,一掷灵梭风雨”运用了龙的形象,形容神仙们变幻莫测的能力和他们带来的风雨。这些意象丰富、生动,给人以奇幻的感觉。

“真游处,上苑寻春去”描绘了神仙们在人间游历并寻找春天的场景。芳草迎步,笙歌不绝,樱桃红艳,展示了神仙们所见的美好景象和人间的欢乐。

最后一句“回祝尧龄万万,端的君恩难负”表达了对天子的祝福和感激之情,体现了作者对君恩不敢忘怀的心境。

整首诗词通过描绘神仙们下凡的场景,以及他们在人间的欢乐和祝福,展示了作者对神仙和天子的崇敬,表达了对尊贵和恩典的感激之情。同时,通过运用丰富的意象和修辞手法,使诗词充满了奇幻和生动的色彩,给人以美好的想象《下水船》 is a poem written by Huang Tingjian during the Song Dynasty. Here is a translation, followed by an analysis of its meaning and appreciation:

Translation:
Guiding the companions of immortals,
Together we arrive at the path to the azure clouds.
The crimson prohibition breeze gently blows,
Within a hair's breadth, we hear the language of heaven.
All glory is encountered.
Beholding their transformations like dragons,
They cast their ethereal shuttles amidst wind and rain.
In true delight,
We seek spring in the imperial garden.
Fragrant grasses welcome our steps,
A few melodies of flutes and songs,
Amongst cherry blossoms, we gather in joy.
The jade cups are raised.
Returning to wish eternal youth to Emperor Yao,
Truly, your grace is difficult to repay.

Meaning:
"下水船" depicts the scene of immortals descending to earth on a boat. They gather together at the path to the azure clouds, venturing into the mortal realm. In the gentle breeze, they can hear the language of heaven from a close distance. They are met with boundless honor. Transforming like dragons, they cast their ethereal shuttles, bringing forth wind and rain. They truly travel and explore the mortal realm, seeking spring in the imperial garden. With fragrant grasses accompanying their steps and the melodies of flutes and songs, they gather in joy amidst the vibrant cherry blossoms. They raise jade cups to toast and wish eternal youth to Emperor Yao, expressing their gratitude for the emperor's grace, which is difficult to repay.

Appreciation:
"下水船" portrays the theme of immortals descending to the mortal realm, depicting the joy and blessings they bring. The poem employs rich imagery and rhetorical devices to showcase the author's reverence for the immortals and his gratitude towards the emperor.

The line "Guiding the companions of immortals" conveys the grandeur of immortals gathering together. Their arrival at the "path to the azure clouds" represents their elevated status beyond the mortal world.

The phrase "The crimson prohibition breeze gently blows, within a hair's breadth, we hear the language of heaven" describes the scene where the immortals, in a gentle breeze, can hear the language of heavenly beings from a close distance. It portrays their connection to the mortal realm.

"Beholding their transformations like dragons, they cast their ethereal shuttles amidst wind and rain" uses the imagery of dragons to depict the immortals' elusive abilities and the wind and rain they bring forth. These vivid and fantastical images evoke a sense of wonder.

"We seek spring in the imperial garden, in true delight" portrays the immortals traversing the mortal realm and seeking the arrival of spring. The fragrant grasses, melodies of flutes and songs, and the joyful gathering amidst cherry blossoms depict the beautiful scenes and blissful moments witnessed by the immortals in the mortal realm.

The final line "Returning to wish eternal youth to Emperor Yao, truly, your grace is difficult to repay" expresses blessings and gratitude towards the emperor, reflecting the author's enduring appreciation for the emperor's benevolence.

The poem as a whole depicts the scene of immortals descending to the mortal realm, their joy, and blessings, while showcasing the author's reverence for the immortals and his expression of gratitude towards the emperor. Through the use of rich imagery and rhetorical devices, the poem creates a vivid and enchanting atmosphere, inspiring the reader's imagination.

作者介绍

黄庭坚诗,以《武英殿聚珍版书》所收《山谷诗注》爲底本。校以宋绍定刊《山谷诗注》(简称宋本;残存三卷,藏北京图书馆),元刻《山谷黄先生大全诗注》(简称元本;残存内集十六卷,藏北京图书馆),《四部丛刊》影印宋干道本《豫章黄先生文集》(简称文集)及元刊《山谷外集诗注》(简称影元本),明嘉靖间蒋芝刊《黄诗内篇》十四卷(简称蒋刻本)、明版《山谷黄先生大全诗注》(简称明大全本;此书与蒋刻本并藏北京图书馆)、影印文渊阁《四库全书·山谷集》(简称山谷集)、清光绪间陈三立覆宋刻本(简称陈刻本)。并参校干隆间翁方纲校树经堂本(简称翁校本,其中翁氏校语称翁校)。《内集》《外集》的编年说明,集中移置每卷卷首;《别集》等的繫年,底本多疏漏,据《四库全书·山谷集》所附黄{巩/言}《山谷年谱》拾补,分别繫于诗题下。底本中涉及山谷跋语、手蹟、石刻及版本文字异同的注释文字,酌予保留。《山谷集》中多出底本的骚体诗及偈、贊、颂(其中多爲六言或七言诗)等,参校明弘治叶天爵刻、嘉靖乔迁重修本(简称明本),编爲第四十五至四十八卷。另从他书中辑得的集外诗和断句,编爲第四十九卷。

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道平夷。性依稀。水火相交坎与离。阴阳自有期。用华池。浴琅肌。莹魄儿童天外飞。灵光耀紫微。

山圃饶秋色,林亭近晚晴。禽虫依月令,药草带人名。排石铺衣坐,看云缓带行。官闲惟此乐,与世欲无营。

契丹打破波斯寨,夺得宝珠村里卖。十字街头穷乞儿,腰间挂个风流袋。

手中青铜镜,照我少年时。衰飒一如此,清光难复持。欲令孤月掩,从遣半心疑。纵使逢人见,犹胜自见悲。

退笔成山未足珍,读书万卷始通神。君家自有元和脚,莫厌家鸡更问人。一纸行书两绝诗,遂良须鬓已如丝。何当火急传家法,欲见诚悬笔谏时。

城叠连云壑,人家似隐居。树飞鹦鹉众,川下鶺鴒疏。滴梦关山雨,资餐陇水鱼。谁知江徼客,此景倍相于。

东望山阴何处是?往来一万三千里。写得家书空满纸!流清泪,书回已是明年事。寄语红桥桥下水,扁舟何日寻兄弟?行遍天涯真老亦!愁无寐,鬓丝几缕茶烟里。

花月楼台近九衢,清歌一曲倒金壶。座中亦有江南客,莫向春风唱鹧鸪。

江风散微雨,重峰生遥碧。林端浮新青,梅迟见残白。地僻争讼简,吏散庭宇寂。烟水澹孤城,斋阁坐成夕。忽念同怀人,清光隔咫尺。溪舟时载酒,野步或携策。静躁心讵异,寤歌聊自释。

闻有沧洲尚,时时清洛滨。烟波能弄檝,沙鸟不惊人。佛髻寒排岫,星桥晚跨津。湍鸣知乱石,漪碎觉跳鳞。玉匕停馀剂,华缨濯故尘。今无李元礼,仙袂许谁亲。

西岳莲花山。迢迢见明星。素手把芙蓉。虚步蹑太清。霓裳曳广带。飘拂升天行。邀我登云台。高揖卫叔卿。恍恍与之去。驾鸿凌紫冥。俯视洛阳川。茫茫走胡兵。流血涂野草。豺狼尽冠缨。

驿骑星驰亦快哉!筠笼露湿手亲开。不应相与无平素,曾忝戎州刺史来。

撦破云门一柄扇,拗折乾峰一条棒。二三千处管弦楼,四五百条华柳巷。

楚甸三千里,旌麾列大邦。渺瀰连沃野,隐辚抱长江。此际藩王室,何人拥将幢。向来称下邑,国士有无双。

授命出绝域,北至单于庭。驰鸣沙碛遥,马倦朔雪零。幽州古道上,胡笳应夜听。尝闻昔时语,南看北辰星。使回傥可记,乃得验天形。

楚有孙叔敖,长城隐千里。哀哉练裙子,负薪蹑破履。岂无故交亲,逝去如覆水。不如老优孟,谈笑托谐美。世家不可恃,如倚折足几。祥符有贤相,手握天下砥。懿敏亦名公,三贵德爵齿。盖棺今几日,公子谁料理。谁要卿料理,欲说且止止。宅相开府公,久为苍生起。如何垂老别,冰盘

应天曾建塔,又此结精庐。释氏缘何熟,诗人念总疏。壁荒遗尽水,僧老学翳书。笑我重来者,经年不定居。

无尽谈空学,纵横胆似天。如何兜率说,不肯许他禅。

我家万山中,日日采樵去。扪萝上层巅,苔滑不留履。落日负樵归,云深失归路。谁家犬吠声,声在云深处。

银蒜鈎帘宛地垂,桂丛乌起上朝晖。枉将玳瑁雕为押,遮掩春堂碍燕归。

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