下水船

总领神仙侣。
齐到青云岐路。
丹禁风微,咫尺谛闻天语。
尽荣遇。
看即如龙变化,一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,端的君恩难负。

作品评述

《下水船》是宋代黄庭坚所作的一首诗词。以下是对该诗词的中文译文、诗意和赏析:

中文译文:
总领神仙侣。
齐到青云岐路。
丹禁风微,
咫尺谛闻天语。
尽荣遇。
看即如龙变化,
一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,
樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,
端的君恩难负。

诗意:
《下水船》描绘了一个神仙们乘船下凡的场景。他们纷纷到达青云岐路,来到人间。在微风中,他们可以近距离听到天人的言语。他们受到了无限的荣耀。他们变幻如龙,一掷灵梭带来风雨。他们真实地游历在人间,前往上苑寻找春天。鲜花盈步,笙歌不绝,樱桃红艳处人们欢聚。他们举起美酒,为尧龄的寿诞祝福,表达对天子恩典的无法回报之情。

赏析:
《下水船》以神仙下凡的场景为主题,描绘了神仙们在人间的欢乐和祝福。诗中使用了丰富的意象和修辞手法,展示了作者对神仙们的崇敬和对天子的感激之情。

诗中的“总领神仙侣”一句,表达了神仙们齐聚一堂的盛况。他们来到人间的“青云岐路”,象征着他们超越尘世的高尚地位。

“丹禁风微,咫尺谛闻天语”描绘了神仙们在微风中近距离听到天人之语的情景,表现了他们与凡间的联系。

“看即如龙变化,一掷灵梭风雨”运用了龙的形象,形容神仙们变幻莫测的能力和他们带来的风雨。这些意象丰富、生动,给人以奇幻的感觉。

“真游处,上苑寻春去”描绘了神仙们在人间游历并寻找春天的场景。芳草迎步,笙歌不绝,樱桃红艳,展示了神仙们所见的美好景象和人间的欢乐。

最后一句“回祝尧龄万万,端的君恩难负”表达了对天子的祝福和感激之情,体现了作者对君恩不敢忘怀的心境。

整首诗词通过描绘神仙们下凡的场景,以及他们在人间的欢乐和祝福,展示了作者对神仙和天子的崇敬,表达了对尊贵和恩典的感激之情。同时,通过运用丰富的意象和修辞手法,使诗词充满了奇幻和生动的色彩,给人以美好的想象《下水船》 is a poem written by Huang Tingjian during the Song Dynasty. Here is a translation, followed by an analysis of its meaning and appreciation:

Translation:
Guiding the companions of immortals,
Together we arrive at the path to the azure clouds.
The crimson prohibition breeze gently blows,
Within a hair's breadth, we hear the language of heaven.
All glory is encountered.
Beholding their transformations like dragons,
They cast their ethereal shuttles amidst wind and rain.
In true delight,
We seek spring in the imperial garden.
Fragrant grasses welcome our steps,
A few melodies of flutes and songs,
Amongst cherry blossoms, we gather in joy.
The jade cups are raised.
Returning to wish eternal youth to Emperor Yao,
Truly, your grace is difficult to repay.

Meaning:
"下水船" depicts the scene of immortals descending to earth on a boat. They gather together at the path to the azure clouds, venturing into the mortal realm. In the gentle breeze, they can hear the language of heaven from a close distance. They are met with boundless honor. Transforming like dragons, they cast their ethereal shuttles, bringing forth wind and rain. They truly travel and explore the mortal realm, seeking spring in the imperial garden. With fragrant grasses accompanying their steps and the melodies of flutes and songs, they gather in joy amidst the vibrant cherry blossoms. They raise jade cups to toast and wish eternal youth to Emperor Yao, expressing their gratitude for the emperor's grace, which is difficult to repay.

Appreciation:
"下水船" portrays the theme of immortals descending to the mortal realm, depicting the joy and blessings they bring. The poem employs rich imagery and rhetorical devices to showcase the author's reverence for the immortals and his gratitude towards the emperor.

The line "Guiding the companions of immortals" conveys the grandeur of immortals gathering together. Their arrival at the "path to the azure clouds" represents their elevated status beyond the mortal world.

The phrase "The crimson prohibition breeze gently blows, within a hair's breadth, we hear the language of heaven" describes the scene where the immortals, in a gentle breeze, can hear the language of heavenly beings from a close distance. It portrays their connection to the mortal realm.

"Beholding their transformations like dragons, they cast their ethereal shuttles amidst wind and rain" uses the imagery of dragons to depict the immortals' elusive abilities and the wind and rain they bring forth. These vivid and fantastical images evoke a sense of wonder.

"We seek spring in the imperial garden, in true delight" portrays the immortals traversing the mortal realm and seeking the arrival of spring. The fragrant grasses, melodies of flutes and songs, and the joyful gathering amidst cherry blossoms depict the beautiful scenes and blissful moments witnessed by the immortals in the mortal realm.

The final line "Returning to wish eternal youth to Emperor Yao, truly, your grace is difficult to repay" expresses blessings and gratitude towards the emperor, reflecting the author's enduring appreciation for the emperor's benevolence.

The poem as a whole depicts the scene of immortals descending to the mortal realm, their joy, and blessings, while showcasing the author's reverence for the immortals and his expression of gratitude towards the emperor. Through the use of rich imagery and rhetorical devices, the poem creates a vivid and enchanting atmosphere, inspiring the reader's imagination.

作者介绍

黄庭坚诗,以《武英殿聚珍版书》所收《山谷诗注》爲底本。校以宋绍定刊《山谷诗注》(简称宋本;残存三卷,藏北京图书馆),元刻《山谷黄先生大全诗注》(简称元本;残存内集十六卷,藏北京图书馆),《四部丛刊》影印宋干道本《豫章黄先生文集》(简称文集)及元刊《山谷外集诗注》(简称影元本),明嘉靖间蒋芝刊《黄诗内篇》十四卷(简称蒋刻本)、明版《山谷黄先生大全诗注》(简称明大全本;此书与蒋刻本并藏北京图书馆)、影印文渊阁《四库全书·山谷集》(简称山谷集)、清光绪间陈三立覆宋刻本(简称陈刻本)。并参校干隆间翁方纲校树经堂本(简称翁校本,其中翁氏校语称翁校)。《内集》《外集》的编年说明,集中移置每卷卷首;《别集》等的繫年,底本多疏漏,据《四库全书·山谷集》所附黄{巩/言}《山谷年谱》拾补,分别繫于诗题下。底本中涉及山谷跋语、手蹟、石刻及版本文字异同的注释文字,酌予保留。《山谷集》中多出底本的骚体诗及偈、贊、颂(其中多爲六言或七言诗)等,参校明弘治叶天爵刻、嘉靖乔迁重修本(简称明本),编爲第四十五至四十八卷。另从他书中辑得的集外诗和断句,编爲第四十九卷。

诗词推荐

故人横海拜将军,侧立南天未蕆勋。我有阴符三百字,蜡丸难寄惜雄文。

裴回若留,灵其有喜。荐我声香,挹兹酒本。我祖在天,执道之纪。申佑无疆,奏神称礼。

几向余干觅介庵,骑鲸已去不容骖。流风付与南池主,何日约君相就谈。

地虽不爱宝,利在与民共。务国不务民,傥有安得用。孟氏美王囿,其说久已诵。聊此陈薄言,忉怛不能重。

郡间思退隐,嘉致望云秋。旧客容谁访,新诗许我留。棋窗寒日短,琴幌夜灯幽。青琐无归梦,期憎话沃洲。

稍硬风头早已乖,更归暖处自沉埋。翻令千古成踪迹。枉吃罗山白饭来。

芙蕖花上濛濛雨。又冷落、池塘暮。何处风来摇碧户。卷帘凝望,淡烟疏柳,翡翠穿花去。玉京人去无由驻。恁独坐、凭阑处。试问绿窗秋到否。可人今夜,新凉一枕,无计相分付。

箭以羽行,破敌无颇。七札难穿,如游斜何。

八月十五夜,月色随处好。不择茅檐与市楼,况我官居似蓬岛。凤咮堂前野桔香,剑潭桥畔秋荷老。八月十八潮,壮观天下无。鲲鹏水击三千里,组练长驱十万夫。红旗青盖互明灭,黑沙白浪相吞屠。人生会合古难必,此景此行那两得。愿君闻此添蜡烛,门外白袍如立鹄。

茂材异等竟无闻,教耨明耕却有人。能旱能风须记取,汉家元气太宗仁。

橘柚生南国,幽林日匆蒨。上有嘉禽鸣,五色被余绚。彼美发华英,厥包待秋荐。根本当自持,无为风土变。

行喝也打,礼拜也打。临济大师,可知礼也。

髻中珠,只者是。如优昙花,时一现尔。坐断意根,方能侧耳。

台山初罢雾,岐海正分流。渔浦飏来笛,鸿逵翼去舟。

绍兴元年七月十日,余至会稽,因览黄庭坚所书张志和渔父词十五首,戏同其韵,赐辛永宗。一湖春水夜来生。几叠春山远更横。烟艇小,钓丝轻。赢得闲中万古名。

秋雨凄凄,秋云黯黯。修成八万四千斧,不比寻常三五圆。

屈原既放,三年不得复见。竭知尽忠而蔽障于谗。心烦虑乱,不知所从。乃往见太卜郑詹尹曰:“余有所疑,愿因先生决之。”詹尹乃端策拂龟,曰:“君将何以教之?”屈原曰:“吾宁悃悃款款,朴以忠乎,将送往劳来,斯无穷乎?“宁诛锄草茅以力耕乎,将游大人以成名乎?宁正言不讳

天青云白十分晴,帆饱舟轻尽日行。江底鱼龙贪昼睡,淮南草木借秋声。好山缥缈何由住,华发萧条只自惊。莫怪时人笑疏嬾,宦情元不似诗情。

不见倪迂今百年,故山乔木领苍烟。晴窗展轴观图画,淡墨依然见古贤。

我与子桑友,既往雨弥旬。交情未曾改,天地忽趋新。东风无行迹,佳气满城闉。麦苗生陂陇,叹息不食陈。谁能裹饭来,定是寂寞人。一曲古流水,试拂弦上尘。古木少生意,轮囷卧河滨。惭愧桃与李,相随见阳春。

名句推荐

本站部份资料来自网络或由网友提供,如有问题请速与我们联系,我们将立即处理!

版权所有©四级英语单词   网站地图 陇ICP备2023000160号-4

免责声明:本站非营利性站点,以方便网友为主,仅供学习。