下水船

总领神仙侣。
齐到青云岐路。
丹禁风微,咫尺谛闻天语。
尽荣遇。
看即如龙变化,一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,端的君恩难负。

作品评述

《下水船》是宋代黄庭坚所作的一首诗词。以下是对该诗词的中文译文、诗意和赏析:

中文译文:
总领神仙侣。
齐到青云岐路。
丹禁风微,
咫尺谛闻天语。
尽荣遇。
看即如龙变化,
一掷灵梭风雨。
真游处。
上苑寻春去。
芳草芊芊迎步。
几曲笙歌,
樱桃艳里欢聚。
瑶觞举。
回祝尧龄万万,
端的君恩难负。

诗意:
《下水船》描绘了一个神仙们乘船下凡的场景。他们纷纷到达青云岐路,来到人间。在微风中,他们可以近距离听到天人的言语。他们受到了无限的荣耀。他们变幻如龙,一掷灵梭带来风雨。他们真实地游历在人间,前往上苑寻找春天。鲜花盈步,笙歌不绝,樱桃红艳处人们欢聚。他们举起美酒,为尧龄的寿诞祝福,表达对天子恩典的无法回报之情。

赏析:
《下水船》以神仙下凡的场景为主题,描绘了神仙们在人间的欢乐和祝福。诗中使用了丰富的意象和修辞手法,展示了作者对神仙们的崇敬和对天子的感激之情。

诗中的“总领神仙侣”一句,表达了神仙们齐聚一堂的盛况。他们来到人间的“青云岐路”,象征着他们超越尘世的高尚地位。

“丹禁风微,咫尺谛闻天语”描绘了神仙们在微风中近距离听到天人之语的情景,表现了他们与凡间的联系。

“看即如龙变化,一掷灵梭风雨”运用了龙的形象,形容神仙们变幻莫测的能力和他们带来的风雨。这些意象丰富、生动,给人以奇幻的感觉。

“真游处,上苑寻春去”描绘了神仙们在人间游历并寻找春天的场景。芳草迎步,笙歌不绝,樱桃红艳,展示了神仙们所见的美好景象和人间的欢乐。

最后一句“回祝尧龄万万,端的君恩难负”表达了对天子的祝福和感激之情,体现了作者对君恩不敢忘怀的心境。

整首诗词通过描绘神仙们下凡的场景,以及他们在人间的欢乐和祝福,展示了作者对神仙和天子的崇敬,表达了对尊贵和恩典的感激之情。同时,通过运用丰富的意象和修辞手法,使诗词充满了奇幻和生动的色彩,给人以美好的想象《下水船》 is a poem written by Huang Tingjian during the Song Dynasty. Here is a translation, followed by an analysis of its meaning and appreciation:

Translation:
Guiding the companions of immortals,
Together we arrive at the path to the azure clouds.
The crimson prohibition breeze gently blows,
Within a hair's breadth, we hear the language of heaven.
All glory is encountered.
Beholding their transformations like dragons,
They cast their ethereal shuttles amidst wind and rain.
In true delight,
We seek spring in the imperial garden.
Fragrant grasses welcome our steps,
A few melodies of flutes and songs,
Amongst cherry blossoms, we gather in joy.
The jade cups are raised.
Returning to wish eternal youth to Emperor Yao,
Truly, your grace is difficult to repay.

Meaning:
"下水船" depicts the scene of immortals descending to earth on a boat. They gather together at the path to the azure clouds, venturing into the mortal realm. In the gentle breeze, they can hear the language of heaven from a close distance. They are met with boundless honor. Transforming like dragons, they cast their ethereal shuttles, bringing forth wind and rain. They truly travel and explore the mortal realm, seeking spring in the imperial garden. With fragrant grasses accompanying their steps and the melodies of flutes and songs, they gather in joy amidst the vibrant cherry blossoms. They raise jade cups to toast and wish eternal youth to Emperor Yao, expressing their gratitude for the emperor's grace, which is difficult to repay.

Appreciation:
"下水船" portrays the theme of immortals descending to the mortal realm, depicting the joy and blessings they bring. The poem employs rich imagery and rhetorical devices to showcase the author's reverence for the immortals and his gratitude towards the emperor.

The line "Guiding the companions of immortals" conveys the grandeur of immortals gathering together. Their arrival at the "path to the azure clouds" represents their elevated status beyond the mortal world.

The phrase "The crimson prohibition breeze gently blows, within a hair's breadth, we hear the language of heaven" describes the scene where the immortals, in a gentle breeze, can hear the language of heavenly beings from a close distance. It portrays their connection to the mortal realm.

"Beholding their transformations like dragons, they cast their ethereal shuttles amidst wind and rain" uses the imagery of dragons to depict the immortals' elusive abilities and the wind and rain they bring forth. These vivid and fantastical images evoke a sense of wonder.

"We seek spring in the imperial garden, in true delight" portrays the immortals traversing the mortal realm and seeking the arrival of spring. The fragrant grasses, melodies of flutes and songs, and the joyful gathering amidst cherry blossoms depict the beautiful scenes and blissful moments witnessed by the immortals in the mortal realm.

The final line "Returning to wish eternal youth to Emperor Yao, truly, your grace is difficult to repay" expresses blessings and gratitude towards the emperor, reflecting the author's enduring appreciation for the emperor's benevolence.

The poem as a whole depicts the scene of immortals descending to the mortal realm, their joy, and blessings, while showcasing the author's reverence for the immortals and his expression of gratitude towards the emperor. Through the use of rich imagery and rhetorical devices, the poem creates a vivid and enchanting atmosphere, inspiring the reader's imagination.

作者介绍

黄庭坚诗,以《武英殿聚珍版书》所收《山谷诗注》爲底本。校以宋绍定刊《山谷诗注》(简称宋本;残存三卷,藏北京图书馆),元刻《山谷黄先生大全诗注》(简称元本;残存内集十六卷,藏北京图书馆),《四部丛刊》影印宋干道本《豫章黄先生文集》(简称文集)及元刊《山谷外集诗注》(简称影元本),明嘉靖间蒋芝刊《黄诗内篇》十四卷(简称蒋刻本)、明版《山谷黄先生大全诗注》(简称明大全本;此书与蒋刻本并藏北京图书馆)、影印文渊阁《四库全书·山谷集》(简称山谷集)、清光绪间陈三立覆宋刻本(简称陈刻本)。并参校干隆间翁方纲校树经堂本(简称翁校本,其中翁氏校语称翁校)。《内集》《外集》的编年说明,集中移置每卷卷首;《别集》等的繫年,底本多疏漏,据《四库全书·山谷集》所附黄{巩/言}《山谷年谱》拾补,分别繫于诗题下。底本中涉及山谷跋语、手蹟、石刻及版本文字异同的注释文字,酌予保留。《山谷集》中多出底本的骚体诗及偈、贊、颂(其中多爲六言或七言诗)等,参校明弘治叶天爵刻、嘉靖乔迁重修本(简称明本),编爲第四十五至四十八卷。另从他书中辑得的集外诗和断句,编爲第四十九卷。

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宣威十九次高牙,栾叶功臣旧将家。清世辞荣归里第,白头行乐过年华。杯盈香醑浮春水,曲度新声出靓花。如此园池如此寿,儿孙满眼庆无涯。

平生绛帐马荆州,肯念天涯万里舟。百丈便从沙岸发,聊镳还作渚宫游。芙蓉满意留连客,橙橘随时断送秋。不惜重湖重一醉,明朝巴峡暮猿愁。

黄芦岸白蘋渡口,绿柳堤红蓼滩头。虽无刎颈交,却有忘机友,点秋江白鹭沙鸥。傲杀人间万户侯,不识字烟波钓叟。

春风恼百物,物物不禁渠。水为盎盎绿,柳亦毵毵舒。芳菲遽如许,流光亦须臾。谁令更别离,此恨当何如。外门有人物,照映冰玉壶。茹古髯似戟,说兵胆过躯。中外已践更,能事乃绪余。主馈孟光贤,郎君千里驹。人生得此乐,底事犹区区。兹行谒贤相,袖有时政书。世家治剧手,陶冶

谓云本无心,企望乃尔奇;谓云果有心,百变端为谁,岂怜此翁愁,一出怡悦之?横截千嶂平,高擎一峰危,银城突嵯峨,玉海浩渺弥;或为群龙矫,或作孤鹤飞,卷舒闲有态,去来倏无时。滃滃覆松顶,霭霭映水湄,带雨过僧窗,和月傍钓矶。岂惟困画工,吾诗固难追。惟当与之盟,毕世

菊老东篱人病酒,西风黄叶满荒田。不知今日登高兴,何似虚堂听水眠。

星光欲没晓光连,霞晕红浮一角天。乾尽小园花上露,日痕恰恰到窗前。

沂水春风弄夕晖,舞雩意得咏而归。为何与点狂曾晢,个裹须参最上机。

三年不废策儒宗,清问图回自九重。不特赐书荣进士,圣君政本道中庸。

年来宦拙喜跻攀,门枕溪流四面山。时过邻僧话浮世,一轩长对此君闲。

青冥不尽海茫茫,一望蓬瀛去路长。秋信解凭诗客寄,春心长为楚魂伤。萦回四望山如画,兴废千年木已苍。直使台倾荆棘满,闻琴何用涕沾裳。

舌吐梅仁颗,心含豆角花。折来无处著,留取爱名嘉。

未晓催车水满沟,男儿鬼面妇蓬头。但求一熟偿逋债,留得粮粞便不忧。

元子溪曰瀼,诗传到于今。此俗良易化,不欺顾相饮。庐山我久爱,买田山之阴。田间有流水,清泚出山心。山心无尘土,白石磷磷沈。潺湲来数里,到此始澄深。有龙不可测,岸木寒森森。书堂构其上,隐几看云岑。倚梧或欹枕,风月盈中襟。或吟或冥默,或酒或鸣琴。数十黄卷轴,圣贤

已共邻房别,应无更住心。中时过野店,后夜宿寒林。寺去人烟远,城连塞雪深。禅馀得新句,堪对上公吟。

星汉离宫月出轮,满街含笑绮罗春。花前每被青蛾问,何事重来只一人。

荡漾舟中客,徘徊楼上人。沧波浩无主,两桨邈难亲。

故人横海拜将军,侧立南天未蒇勋。我有阴符三百字,蜡丸难寄惜雄文.

向虚靖晨起。朝元意达,冲漠怡怡。三天澄映,九光霁碧,如有鹤舞鸾飞。泛空际。瑶室明辉。动与真期。至理常寂,户庭无远,欣欣端比。侍宴日在瑶池。师友多闲,抱琴沽酒度曲,笑采华芝。九节倚筇时。何须钓月眠石,寻觅占渊静逸。乐修持。淡然灵府泳真谛。怡养丹光里。春已收功

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