次韵王巩见寄

池上轻冰暖却开,迎春送腊仰衔杯。
君家有酒能无事,客醉连宵遣不回。
诗就滴消盘上蜡,信来飘尽岭头梅。
商丘冷坐君知否,瓶罄应须有耻罍。

作品评述

《次韵王巩见寄》是苏辙在宋代创作的一首诗词。以下是它的中文译文、诗意和赏析:

池上轻冰暖却开,
迎春送腊仰衔杯。
君家有酒能无事,
客醉连宵遣不回。

诗就滴消盘上蜡,
信来飘尽岭头梅。
商丘冷坐君知否,
瓶罄应须有耻罍。

中文译文:
池塘上的轻薄冰已经融化,春天来临迎接冬季的离去,我仰起杯中的酒,与朋友共庆。你家里有酒,可以无忧无虑,而我却被醉客连夜留住,无法返回。

诗句如同滴落在盘上的蜡烛一样消逝,来信也随风飘向岭头的梅花。在商丘冷落地坐着,你是否知道,空瓶已空,应该感到羞愧。

诗意和赏析:
这首诗词描绘了一个春日的场景,表达了作者对友谊和人生的思考。首句“池上轻冰暖却开”,展示了冬季的消逝和春天的到来,寓意着时光的流转和万物的复苏。通过“迎春送腊”,作者以酒为载体,表达了与朋友共庆春天到来的欢乐和豪情。其中,“仰衔杯”一句表达了欢庆之情和豪放的态度。

接下来的两句“君家有酒能无事,客醉连宵遣不回”,揭示了作者身处醉酒之中,无法离开的尴尬境地。这里的“君家”指的是朋友的家,暗示朋友有足够的酒可以尽情畅饮,而作者则因醉客的陪伴而不能离去,呈现出一种无法自拔的状态。通过这种对比,诗人抒发了对自身处境的无奈和对友谊的珍惜。

接下来的两句“诗就滴消盘上蜡,信来飘尽岭头梅”,表达了诗词和来信的短暂和消逝。诗词如同滴落在盘子上的蜡烛一样,随着时间的推移而消逝。来信也像梅花一样,随风飘散,暗示着信息的短暂和流逝。这里通过描写诗词和来信的情景,表达了作者对时光流逝和信息消逝的感慨。

最后两句“商丘冷坐君知否,瓶罄应须有耻罍”,表达了作者孤独的心境和对友谊的期待。作者孤独地坐在商丘冷落的地方,表达了内心的寂寞和无助。以“瓶罄”指代空瓶,暗示了酒已经喝完,应该感到羞愧。这里呼应了前文的“君家有酒能无事”,通过对比,表达了作者对友谊的渴望和对自身处境的反思《次韵王巩见寄》 is a poem written by Su Zhe during the Song Dynasty. Here is the Chinese translation, meaning, and appreciation of the poem:

池上轻冰暖却开,
迎春送腊仰衔杯。
君家有酒能无事,
客醉连宵遣不回。

诗就滴消盘上蜡,
信来飘尽岭头梅。
商丘冷坐君知否,
瓶罄应须有耻罍。

Translation:
The thin ice on the pond melts as warmth emerges,
Welcoming the arrival of spring and bidding farewell to winter, I raise my cup high.
At your home, with abundant wine, worry is unnecessary,
Yet intoxicated guests detain me throughout the night, preventing my return.

Poetry drips like wax on a plate, fading away,
A letter arrives, drifting away with the plum blossoms on the mountain.
Sitting alone in the cold of Shangqiu, do you know?
An empty bottle should bring shame and reflection.

Meaning and Appreciation:
This poem depicts a scene of spring and reflects the author's contemplation on friendship and life. The opening line, "The thin ice on the pond melts as warmth emerges," portrays the passage of winter and the arrival of spring, symbolizing the flow of time and the revival of all things. Through the phrase "welcoming the arrival of spring and bidding farewell to winter," the author celebrates the joy and exuberance of welcoming spring together with friends, using wine as a medium. The phrase "raising my cup high" expresses the festive atmosphere and a carefree attitude.

The following two lines, "At your home, with abundant wine, worry is unnecessary, Yet intoxicated guests detain me throughout the night, preventing my return," reveal the author's predicament of being unable to leave due to the company of intoxicated guests. "Your home" refers to the friend's house, implying that the friend has plenty of wine to enjoy without worries, while the author is trapped in a situation where he cannot leave due to the presence of intoxicated guests. This conveys a sense of helplessness and an appreciation for friendship.

The subsequent lines, "Poetry drips like wax on a plate, fading away, A letter arrives, drifting away with the plum blossoms on the mountain," express the fleeting nature and transience of poetry and letters. The poet likens poetry to a candle dripping on a plate, gradually disappearing with time. Similarly, the arrival of a letter is compared to the drifting plum blossoms, suggesting the ephemeral nature of information. By describing the scenes of poetry and letters, the author conveys a sense of contemplation on the passage of time and the disappearance of messages.

The final two lines, "Sitting alone in the cold of Shangqiu, do you know? An empty bottle should bring shame and reflection," express the author's sense of solitude and longing for friendship. The author sits alone in the desolation of Shangqiu, conveying a feeling of loneliness and helplessness. The phrase "empty bottle" symbolizes the wine being consumed, implying that one should feel ashamed when the bottle is empty. By contrasting it with the earlier line, "At your home, with abundant wine, worry is unnecessary," the author expresses a yearning for friendship and reflects upon their own situation.

作者介绍

苏辙(一○三九~一一一二),字子由,一字同叔,晚号颍滨遗老,眉州眉山(今属四川)人。与父洵、兄轼同以文学知名。仁宗嘉祐二年(一○五七)进士。六年,又举才识兼茂明于体用科,因乞侍父未仕。英宗治平二年(一○六五),爲大名府留守推官。神宗熙宁二年(一○六九),召爲制置三司条例司检详文字,议事每与王安石不合,出爲河南推官,歷陈州教授、齐州掌书记、签书应天府判官。元丰二年(一○七九),兄轼被罪,辙亦坐贬监筠州盐酒税。哲宗元祐元年(一○八六),入爲右司谏,寻迁起居郎、中书舍人,累迁尚书右丞。七年,擢大中大夫守门下侍郎。八年,哲宗亲政,起用新党。绍圣元年(一○九四),以元祐党人落职,出知汝州、袁州,又降授朝议大夫、分司南京,筠州居住。四年,责授化州别驾,雷州安置。元符元年(一○九八),迁循州。徽宗即位,北徙永州、岳州,復大中大夫,提举凤翔上清太平宫,定居颍昌府。崇宁中重开党禁,罢祠。大观二年(一一○八),復朝议大夫,迁中大夫。政和二年(一一一二),转大中大夫致仕,同年十月卒,年七十四。孝宗淳熙中,追謚文定。有《诗传》、《春秋传》、《栾城集》等,并行于世。《名臣碑传琬琰集》下集卷一一、《宋史》卷三三九有传。 苏辙诗,以明万历间清梦轩刊《栾城集》(其中《栾城集》五十卷,《栾城后集》二十四卷,《栾城第三集》十卷,《栾城应诏集》十二卷)爲底本。参校宋刻残本《苏文定公文集》(简称宋大字本)、宋递修本《苏文定公文集》(简称宋文集本)、明嘉靖蜀藩朱让栩刻本(简称明蜀本)、《四部丛刊》明活字本(简称明活字本)、影印文渊阁《四库全书》本(简称四库本)、清道光眉州刻《三苏全集》本(简称三苏本)。新辑集外诗,另编一卷。

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雨止夜色静,涨生江浪浮。碧云度星汉,明月照汀洲。倏忽阴晴异,苍茫意绪秋。微吟不须苦,下有未眠鸥。

始愿今如此,前途复若何。无媒献词赋,生事日蹉跎。不遇张华识,空悲甯戚歌。故山归梦远,新岁客愁多。刷羽思乔木,登龙恨失波。散才非世用,回首谢云萝。

标置才谋孰尚公,拜恩新领浙江东。黄扉玉殿官仪贵,皂盖朱幡使节雄。耕织富饶青嶂里,楼台缥缈翠云中。到时湖上看秋月,安得清樽侍下风。

紫府青田任性游,一声清唳万山秋。仙材况有千年寿,鹿犬凡鸡岂合俦。

何处初寒好,初寒禹鉴门。遥天露崖口,轻浪漱山根。万佛龛苔老,一灯林霭昏。渔梁杳相望,石濑夜声喧。

雨馀林外夕烟沉,忽有蛙声伴客吟。莫怪闻时倍惆怅,稚圭蓬荜在山阴。

船上看山如走马,倏忽过去数百群。前山槎牙忽变态,后岭杂沓如惊奔。仰看微径斜缭绕,上有行人高缥渺。舟中举手欲与言,孤帆南去如飞鸟。

旧来曾此摄雷封,勉策驽鞭愧罔功。自分依莲游绿水,岂期洞檄又秋风。今来视昔还多事,我亦无他只一中。此去未知能淑后,时知石药赖明公。

一筇双屦征具简,幽讨胜友宾栖深。与公半夜丘壑语,慰我平生麋鹿心。倒榻雅成山水梦,落泉寒作丝桐音。归欤城寺禅肤粟,定是流想来家林。

雪飞不择地,因高势易积。玉龙二百丈,横卧前山渔。随香去寻梅,路白无行足。名笛吹一声,惊裂苍岸石。

登临兴极未容还,拂试缁尘扃秀间。万事已甘轩鹤老,一身联拟碛鸥閒。滩声犹带湘江水,野色遥分建业山。雅志未容归骑促,有情斜日尚苍湾。

时鸟催春色,离人惜岁华。远山随拥传,芳草引还家。北固潮当阔,西陵路稍斜。纵令寒食过,犹有镜中花。

羲尧体乾运,王道持伦纲。舜禹袭神器,精一斯传彰。周亡《雅》、《颂》息,仲尼语张皇。伊说佐受命,况轲司振扬。伟兹大经奥,百世垂辉光。陵夷几更历,明晦违天常。濂洛启潜綍,建中续虞唐。青田荆山璞,宏闻皎旻苍。寸心宰灵妙,昏塞非违伤。动静该至理,惕焉惟内强。圣训炳

九陌宅重重,何门怜此翁。荒庭唯菊茂,幽径与山通。落叶带衣上,闲云来酒中。此心谁得见,林下鹿应同。先忆花时节,家山听更归。爱诗看古集,忆酒典寒衣。睡少身还健,愁多食不肥。自怜疏懒性,无事出门稀。

初疑石壁无行路,已转方知透碧霄。茶鼎快烹泉窦月,酒杯低吸海门潮。乾坤浩荡乡心远,岁月苍忙客鬓凋。欲约洪崖同一笑,满山竹□自萧萧。

宦薄鱼上竿,地左猿择木。经过还似旧,笑语何时足。留君潘鬓在,许我曹装趣。三年却归来,此梦如何续。

梢梢修竹夹溪斜,树系孤逢白浅沙。风力引云行玉马,水光流月动金蛇。村酤客聚还成市,晚钓舟横便当家。山野生涯本闲暇,谁令客子自劳嗟。

蜡屐冲寒雨,紫门启晓云。相忘不问讯,长久却论文。煮茗山泉活,移花野色分。城中甚喧杂,此地寂无闻。

心清步步入玄门。意静**溉本根。蓦地听闻没口论。性无昏。一点

当年尚父,一个便兴周。今十倍,更何忧。冲融道貌丹为脸,扶疏漆发黑盈头。世方知,非熊老,聚吾州。有智略、可从兹日用,有志愿、可从兹日酬。天付我,怎教休。琼浆且共飞千斛,蟠桃应得见三偷。谅吾皇,恢复后,尽封侯。

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