陪王侍御宴通泉东山野亭

《陪王侍御宴通泉东山野亭》是唐代大诗人杜甫创作的一首诗。诗中描述了杜甫和王侍御一同在通泉东山野亭宴会的场景，表达了对生活的豪迈和自在的追求。

诗中，江水东流，象征着时光的流转，人生的不可逆转，作者以此表达了对时光流逝的感慨。清樽日复斜，可能指的是觥筹交错，宴会氛围浓烈，樽酒不断斜倚，喻示了宴会的热闹和酒的丰盈。

异方同宴赏，何处是京华，这两句意味着杜甫和王侍御一同游玩在陌生的地方，这里是他们暂时的天下，享受着宴会的欢乐。亭景临山水，村烟对浦沙，描述了野亭的景色，山水、村烟和浦沙相映成趣，给人一种清幽、恬静的感觉。

狂歌过于胜，得醉即为家，表达了杜甫乐观豪迈的情绪。他以狂歌乐饮的方式过过瘾，对于他来说，只要醉倒了，哪里都是家。

整首诗流畅自然，情感真挚，描绘了诗人与王侍御在野外小亭宴会的情景，表达了对时光流逝的感慨和对自由快乐的追求。诗中的景色描绘和情感表达具有鲜明的视觉和感情效果，给人一种恣意而豪迈的诗意。
中文译文：
江水东流去，清酌日复斜。
异方同宴赏，何处是京华。
亭景临山水，村烟对浦沙。
狂歌过于胜，得醉即为家。

Poem Translation:

The river water flows eastward, as the clear winecups lean and slant.
In a strange land, we feast and enjoy together, where is the bustling capital?
The pavilion's scenery overlooks the mountains and waters, village smoke faces the river's sandbar.
Singing wildly, surpassing all, when one is drunk, that is home.

Poetic Meaning and Appreciation:

《陪王侍御宴通泉东山野亭》is a poem written by Du Fu, a great poet of the Tang Dynasty. It describes the scene of Du Fu and the court official Wang having a banquet together at the wild pavilion of Tongquan Dongshan. The poem expresses the pursuit of a carefree and unrestrained life.

In the poem, the flowing river symbolizes the passage of time and the irreversibility of life. The leaning winecups imply a lively feast, with the wine constantly pouring, reflecting the festive atmosphere.

The lines "In a strange land, we feast and enjoy together, where is the bustling capital?" suggest that Du Fu and Wang are temporarily enjoying themselves in an unfamiliar place. This place is their temporary world, where they indulge in the joy of the banquet.

The description of the pavilion's scenery, the mountains and waters, the village smoke, and the river's sandbar create a peaceful and serene feeling.

The lines "Singing wildly, surpassing all, when one is drunk, that is home" express Du Fu's optimistic and hearty emotions. He revels in singing and drinking, and as long as he is drunk, anywhere can be considered home.

The entire poem is smooth and natural, with sincere emotions. It depicts the scene of the poet and the court official enjoying a banquet in a small pavilion in the wilderness, expressing their feelings about the passage of time and their pursuit of freedom and happiness. The vivid description of the scenery and the emotional expression create a strong visual and emotional effect, giving a sense of unrestrained and hearty poetic meaning.

杜甫，字子美，其先襄阳人，曾祖依艺为巩令，因居巩。甫天宝初应进士，不第。后献《三大礼赋》，明皇奇之，召试文章，授京兆府兵曹参军。安禄山陷京师，肃宗即位灵武，甫自贼中遯赴行在，拜左拾遗。以论救房琯，出为华州司功参军。关辅饥乱，寓居同州同谷县，身自负薪采梠，餔糒不给。久之，召补京兆府功曹，道阻不赴。严武镇成都，奏为参谋、检校工部员外郎，赐绯。武与甫世旧，待遇甚厚。乃于成都浣花里种竹植树，枕江结庐，纵酒啸歌其中。武卒，甫无所依，乃之东蜀就高适，既至而适卒。是岁，蜀帅相攻杀，蜀大扰。甫携家避乱荆楚，扁舟下峡，未维舟而江陵亦乱。乃泝沿湘流，游衡山，寓居耒阳，卒年五十九。元和中，归葬偃师首阳山，元稹志其墓。天宝间，甫与李白齐名，时称李杜。然元稹之言曰：“李白壮浪纵恣，摆去拘束，诚亦差肩子美矣。至若铺陈终始，排比声韵，大或千言，次犹数百，词气豪迈，而风调清深，属对律切，而脱弃凡近，则李尚不能歷其藩翰，况堂奥乎？”白居易亦云：“杜诗贯穿古今，尽工尽善，殆过于李。”元、白之论如此，盖其出处劳佚，喜乐悲愤，好贤恶恶，一见之于诗，而又以忠君忧国，伤时念乱为本旨。读其诗，可以知其世，故当时谓之诗史。旧集诗文共六十卷，今编诗十九卷。 杜甫，字子美，其先襄阳人，曾祖依艺为巩令，因居巩。甫天宝初应进士，不第。后献三大礼赋，明皇奇之，召试文章，授京兆府兵曹参军。安禄山陷京师，肃宗即位灵武，甫自贼中遯赴行在，拜左拾遗，以论救房琯，出为华州司功参军，关辅饥乱，寓居同州同谷县，身自负薪采梠，餔糒不给。久之，召补京兆府功曹，道阻不赴。严武镇成都，奏为参谋、检校工部员外郎，赐绯，武与甫世旧，待遇甚厚，乃于成都浣花里种竹植树，枕江结庐，纵酒啸歌其中。武卒，甫无所依，乃之东蜀就高适，既至而适卒。是岁，蜀帅相攻杀，蜀大扰。甫携家避乱荆楚，扁舟下峡，未维舟而江陵亦乱，乃泝沿湘流，游衡山，寓居耒阳，卒年五十九。元和中，归葬偃师首阳山，元稹志其墓。天宝间，甫与李白齐名，时称李杜。然元稹之言曰：李白壮浪纵恣，摆去拘束，诚亦差肩子美矣。至若铺陈终始，排比声韵，大或千言，次犹数百，词气豪迈，而风调清深，属对律切，而脱弃凡近，则李尚不能歷其藩翰，况堂奥乎？白居易亦云：杜诗贯穿古今，尽工尽善，殆过于李。元、白之论如此，盖其出处劳佚，喜乐悲愤，好贤恶恶，一见之于诗，而又以忠君忧国，伤时念乱为本旨。读其诗，可以知其世，故当时谓之诗史。旧集诗文共六十卷，今编诗十九卷。 杜甫，字子美，其先襄阳人，曾祖依艺为巩令，因居巩。甫天宝初应进士，不第。后献三大礼赋，明皇奇之，召试文章，授京兆府兵曹参军。安禄山陷京师，肃宗即位灵武，甫自贼中遯赴行在，拜左拾遗，以论救房琯，出为华州司功参军，关辅饥乱，寓居同州同谷县，身自负薪采梠，餔糒不给。久之，召补京兆府功曹，道阻不赴。严武镇成都，奏为参谋、检校工部员外郎，赐绯，武与甫世旧，待遇甚厚，乃于成都浣花里种竹植树，枕江结庐，纵酒啸歌其中。武卒，甫无所依，乃之东蜀就高适，既至而适卒。是岁，蜀帅相攻杀，蜀大扰。甫携家避乱荆楚，扁舟下峡，未维舟而江陵亦乱，乃泝沿湘流，游衡山，寓居耒阳，卒年五十九。元和中，归葬偃师首阳山，元稹志其墓。天宝间，甫与李白齐名，时称李杜。然元稹之言曰：李白壮浪纵恣，摆去拘束，诚亦差肩子美矣。至若铺陈终始，排比声韵，大或千言，次犹数百，词气豪迈，而风调清深，属对律切，而脱弃凡近，则李尚不能歷其藩翰，况堂奥乎？白居易亦云：杜诗贯穿古今，尽工尽善，殆过于李。元、白之论如此，盖其出处劳佚，喜乐悲愤，好贤恶恶，一见之于诗，而又以忠君忧国，伤时念乱为本旨。读其诗，可以知其世，故当时谓之诗史。旧集诗文共六十卷，今编诗十九卷。